MEZZO TV Programm gestern und am Abend 20:15 Uhr

Musical interludes: a chance to see some of the worlds most renowned conductors and musicians performing beautiful pieces.

Syuyumbike Opera in three act by Reseda Akhiyarova Libretto by Renata Haris Renat Salavatov (Conductor) Lyubov Draznina (Chorusmaster) Yuri Alexandrov (Stage Director) Viktor Gerasimenko (Set Designer), Victoria Kharhalup (Costume Designer), Arseny Radkov (Lighting Designer), David Avdysh (Choreographer) Arslan Sibgatullin (Utyamysh - Khan of Kazan) Gulnora Gatina (Syuyumbike - regent, mother of Utyamysh) Ahmed Agadi (Ivan Vasilievich IV The Terrible - Tsar of Moscow) Filius Kagirov (Shah Ali (Shigalei) Artur Islamov J. (Koshchak - the head of the palace guard, beloved of Syuyumbike) Irek Fattakhov (Bibars - Murza, head of government) Ekaterina Sergeyeva (Anastasia - Tsarina, wife of Ivan the Terrible) Yuri Ivshin (Prince Peter Silver) Venera Ganeeva (Nanny Utyamysha) The State Opera of Tatarstan, Kazan, 17 July 2021

Geneva Competition 2024 Singing Competition, Final with orchestra Orchestre de la Suisse Romande, Alevtina Ioffe (conductor) Geneva, Grand Théâtre, October 22, 2024

(Angélique Kidjo - Jazzopen Stuttgart 2024) Deutschland 2024 Regie: Marc Schütrumpf Gäste: Angelique KidjoFalse
Angélique Kidjo JazzOpen, Stuttgart, 20 July 2024

Frankreich 2025 Gäste: Philippe Mouratoglou - Bruno Chevillon - Ramón LópezFalse

Philippe Mouratoglou Trio Philippe Mouratoglou (acoustic guitars) Bruno Chevillon (Double bass) Ramon Lopez (drums) Paris, Studio de lHermitage, May 15, 2025

Musical interludes: a chance to see some of the worlds most renowned conductors and musicians performing beautiful pieces.

Il Giardino Armonico, Giovanni Antonini (recorders, transverse flutes, artistic Direction) Improvisation Josquin des Prez Lhomme armé - canon à 4 from Canti B numero cinquanta La Spagna à 5 Heinrich Isaac La my Anonymous La Spagna à 2 Anonymous Consort IX Hayne van Ghizeghem De tous bien plaine Roelkin (Rodolphus Agricola?) De tous bien plaine Alexander Agricola Tandernaken William Cornish Fa la sol; Consort VII Alexander Agricola Fortuna desperata à 6 Giuseppe Guami Canzone à 4 LAccorta Anonymous TAndernaken William Brade Der Pilligrienen Tanz Augustine Bassano Galiarda William Brade Der Hasen Tantz Anthony Holborne Pavana The Funeralls and Galliard à 5 William Brade Courante Giuseppe Guami La cromatica William Cornish Ah Robin, gentle Robin John Baldwin A Browninge of 3 Voc. William Brade Ein Scottish Tantz; Rotschenken Tanz; Die Nachtigall Jacob van Eyck Engels Nachtegaeltje for solo recorder Tarquinio Merula Canzon La lusignola, Op. 1 No. 2 Giovanni Bassano Diminuzioni su Introduxit me rex del Palestrina Samuel Scheidt Canzon à 5 ad imitationem Bergamasca Anglica SSWV 64 Festival Wratislavia Cantans, White Stork Synagogue, Wroclaw, 11 September 2022

Makeem move Andy Emler MegaOctet Andy Emler: Direction, composition, Piano Eric Echampard: Drums Claude Tchamitchian: Double bass Francois Verly: Percussion Francois Thuillier: Tuba Laurent Blondiau: Trumpet Laurent Dehors: Tenor Saxophone Guillaume Orti: alto saxophone Phillipe Sellam: alto saxophone Company Lady Rocks Léa Cazauran: Dance and Choreography Dancers: Julia Ortola aka Funky J. Rodrigue Lino Jesus Gabriel Gil Sanchez aka Blackeye Maelle Dufour Lisa Dwomoh aka Melle Leeza Santiago Codon Gras Ludovic Piscionneri Virgile Garcia aka Amour Le Perreux, Center des Bords de Marne, May 16, 2023

HEREAFTER is a retrospective of the life and work of Gould, seen from todays point of view. Based a synthesis of all the documents existing on Gould, whether of a musical or of a literary and intellectual nature, this film strives to deal with the question of Goulds genius such as it is perceived by his audience, an audience that extends far beyond the strict notion of a musical audience. It is made with the participation of anonymous disciples, making it seem as if Gould himself was answering their questions; meanwhile, Gould appears as the master of the narration of the film. Serge Prokofiev Vision Fugitive op.22 n°1 Johannes Brahms Intermezzo op.

La Chauve-Souris (Die Fledermaus) Operetta in three acts by Johann Strauss II 1825-1899 Libretto by Carl Haffner and Richard Genée based on Le Réveillon by Henri Meilhac and Ludovic Halévy First performance in Vienna, Theater an der Wien, 5 April 1874. New production adapted in French based on the text and the names of the characters of Le Réveillon Orchestre de Picardie, Johanna Malangré (musical direction) Chorus of the Lille Opera Laurent Pelly (stage direction, costumes) Chantal Thomas (set design), Michel Le Borgne (lighting) Agathe Mélinand (adaptation of the libretto, dialogues), Moshe Leiser, Patrice Caurier (French adaptation of the sung texts) Guillaume Andrieux (Gaillardin) Camille Schnoor (Caroline) Marie-Eve Munger (Adèle) Christophe Gay (Duparquet) Raphaël Brémard (Bidard) Franck Leguérinel (Tourillon) Héloïse Mas (Le prince Orlofsky) Julien Dran (Alfred) Eddy Letexier (Léopold) Claire Antoine (Ida) Lille, Opéra, 11 June 2024

Royal Concertgebouw Orchestra, Christian Thielemann (Conductor) Anton Bruckner 1824 - 1897 Symphony no. 8 in C minor Amsterdam, Concertgebouw, 21 June 2024

Münchner Philharmoniker, Lahav Shani (conductor) Lisa Batiashvili (violin) Ludwig van Beethoven 1770 - 1827 Violin Concerto in D major op. 61 Sergei Rachmaninov 1873-1943 Symphonic Dances op. 45 Munich, Odeonsplatz, July 13, 2025

(Rachmaninoff Revisited) USA 2020 Regie: Peter RosenFalse
Rachmaninov revisited Celebrated in his day not only as a great composer, Sergei Rachmaninov was also admired as an outstanding pianist who was a peerless interpreter of his own works including the piano concerti and the Rhapsody on a Theme by Paganini. It is well known that he was in effect the sole pianist capable of performing his most demanding Third Piano Concerto and his performances and recording of the concerto came to be considered as the definitive ones. The relationship between performance, interpretation, and Rachmaninovs own life is addressed in this film by young pianists. They explore the evolution of interpretation over the past few decades with brief excerpts of recordings by Rachmaninov as contrasted with contemporary performances by todays well-known young pianists as they comment on the differences (or similarities) of their approach. Directed by Peter Rosen